(1/2) I’ve said time and time again that Hyouka works in sequences of shots. This is yet another example. The mise-en-scene for Oreki is dominated by horizontal lines, all which are “pointing” towards Tanabe.
Hyouka 17 The Revelation 7
(1/2) I’ve said time and time again that Hyouka works in sequences of shots. This is yet another example. The mise-en-scene for Oreki is dominated by horizontal lines, all which are “pointing” towards Tanabe.
Mage in a Barrel 
