The end of the story draws near.

I just want all the characters in this show to be happy, but I also want them to defy their fates…and we all know what Princess Tutu says about that.
Listen, I don’t choose for childhood friends to always be my favorites – it just always works out that way.
I felt it was finally time to do my part to introduce sakuga to others and in this piece I make a case for why anybody can enjoy sakuga.
The question is: are idols born, or are they made of the circumstances of their universe? In Macross, you might say it’s a little of both.
I didn’t write that title just for the clickbait; I wrote it because I actually believe it’s true.
It takes a lot for a show like The Lost Village (Mayoiga) to succeed as well as it does, and analysis of things that are well-crafted in non-traditional ways is nearly always rewarding. Having a chance to spill out everything I’ve been thinking about why The Lost Village is as consistently funny as it is was almost as fun as watching the show itself, and I’m rather pleased with how my arguments for and analysis of it turned out. It’s not often I try to analyze things purely on a craft level, but Mizushima and Okada made it easy for me. Hope you guys enjoy (and maybe decide to check out the show if you haven’t)!

We’re totally gearing up for a big midshow climax, and I am completely emotionally prepared (no I’m not).
It’s important to the thesis of this piece that I note I tried to write the entirety of this post while listening to “My Boyfriend is a Pilot” on repeat. I couldn’t do it. “My Boyfriend is a Pilot” is incredibly awful writing music.

I took a break at the structural cliffhanger; turns out sad emotions make people sad.