Un-Go purports to be a show about truth—about finding, unveiling, and understanding truth in a world where truth is distorted, manipulated, created, and abused. The main character, Shinjurou Yuuki, is accompanied by a spirit with the power to demand a single truth from any human being.
Yet, it is perhaps the artificial intelligence, Kazamori, who becomes the most elegant image of truth in the world of Un-Go.
And so, we’ve come to the final Anime Weekly of the season (next week we’ll be doing season wrap-up). Some shows are done, others still have an episode to go, but it’s time to start thinking about where all of these shows belong in the grand scheme of things—and maybe start looking forward to next season.
Every time Christmas season rolls around, I start to feel bad about not having any ideas for a good anime Christmas post. So I’m kind of glad I was able to halfway write something related to both anime and Christmas this year, even if it might be a little bit of a stretch. Gundam, Toradora!, Christmas, and family themes aren’t necessarily the most obvious bedfellows, but I think I mostly made it work.
I’m a few days early, but Merry Christmas to all my readers! It really is wonderful to have you all around, reading and commenting. May the season (whether your celebrate Christmas or not) fills your life with love, your heart with hope, and our world with peace. 🙂
An episode about silent screams. An episode of jealousy, insecurity, and darkness. An episode about expectations. An episode about light and dark. A hard episode, but perhaps a warm one.
The Kanya Festival has come to a close.
As you may or may not have heard, μ’s, the idol group that has stood in the spotlight of the Love Live! franchise, will be performing their final concert on March 31 and April 1 of 2016 before breaking up to pave the way for the franchise successors, Aquors. For some, this is just the natural flow of the entertainment industry—but for others, including myself, the ending of μ’s feels like a loss more profound than your ordinary pop stars fading away.
Although a new chapter of Love Live! is beginning, somehow I think this ending will ring bitter for a while to come…
This week is kind of the reverse of last week—rather than complaining about everything, I’ve got a lot more praise to hand out. And it feels good.
In my ongoing battle to negotiate the lines of blissfully unattached fandom and genuine media engagement, I’ve run into a lot of different facets of anime watching in which this weird dynamic is found. On the hot seat this week is characters—waifus, husbandos, best girls, and everything else—and thinking about the ways that the general marketplace of fandom and industry seem to be at odds with lasting remembrance of anything at all.
But, sometimes, you find the perfect seat on the carousel. This article is about all of that.
So, we’ve arrived at the penultimate episode of the Kanya Festival arc and the answers to all the mysteries are starting to slowly unveil themselves (some courtesy of Oreki). The Classics Club is still functioning as four separate units, but their moments of togetherness are starting to outnumber their moments of separation. Of course, that doesn’t mean everything is smooth sailing…
In the end, what we turned out to be studying was neither mathematics nor Euler. Life is not a zero sum game; even darkness and light, happiness and despair will never entirely cancel each other.
It is our fate, perhaps, to live with both.
I don’t know when the season turned into “Concrete Revolutio, Miss Monochrome and some other shows,” but that’s about where I am at this point. I’m still enjoying everything else I’m watching, but those two shows are just too consistently good for me to compare them to the rest of the season’s offerings.
This week, you’ll hear a lot about my issues with the other stuff airing. Hopefully it’s at least somewhat enjoyable…
Mage in a Barrel 