The Winter 2016 season of anime was a weird one for me—one where the unexpected winners of the season were shows I had fully intended to ignore from the start and one where old standbys didn’t manage to impress me the way they had in the past. That all being said, I’m pleased with this season, even as I look forward to the bounties of spring.
ERASED may have fallen in my esteem as of late, but that doesn’t mean there aren’t still things about it that I like. In fact, the first part of the most recent episode is probably as much as I’ve liked the show since the end of episode three. And it got me thinking about director Tomohiko Ito’s other work that I’ve seen, Sword Art Online, which is of course a dangerous path to go down. But I walked it nonetheless, and what follows are my conclusions. I hope you guys enjoy it!
Whew, it’s been a while, huh? Apologies for the delay—weekend trip and video games have a bad habit of messing up my routines so thoroughly that I can’t get other things done even if I have the time.
As I was writing out the title to this post, I had a horrible sensation that I’d accidentally typed “Winter 2015” for last week’s post—but I didn’t.
Yet another narrative adventure through my weekly watching schedule, courtesy of a revival of sorts in my drive to blog and write things. I do apologize for the lack of updates recently; I think I burned out more than I realized. But I’m feeling it again, so let’s go!
Swing low, sweet anime chariot.
An analysis of ERASED‘s first three episode and the incorporation of cinematography into the functioning of the show.
In which I attempt to chronicle the full extent of my anime life from the past week or so, and lay out the path forward through the Winter 2016 anime season…
Eh, how do you blog, again?
